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ABOUT

"Trained in sculpture and music, I left formal education at sixteen for West Africa, where I lived for five years in contact with traditional artistic practices and animist thought. Back in Paris, my collaborations with Carmelo Arden Quin and then Julio Le Parc led me from geometric abstraction to kinetic-luminous art. Today I bring robotics, programming and light to the heart of my sculptures and reliefs, pursuing a dialogue between matter, energy and perception."

Fabrice Ainaut, visual artist, in a light and kinetic installation

CRITICAL TEXTS

"Fabrice Ainaut, a devoted member of my studio for thirteen years, has shaped an impressive range of skills over time. […] Fabrice is far more than an assistant: he is above all an accomplished visual artist. His trajectory places him at the heart of the contemporary art scene. […] His aesthetic approaches, at once sensitive and rigorous, reveal a boundless intellectual curiosity."

JULIO LE PARC — CACHAN, MARCH 2024

Julio Le Parc and Fabrice Ainaut in front of a black and white kinetic relief with undulating patterns, exhibition, 2016

"Belonging to the latest generations to have come to constructed art, Fabrice Ainaut develops in his own way the advances of this physical expression with its manifold combinatorics […]. In short, the work of Fabrice Ainaut — at once restless and coherent — offers more than promise. It is ready for tomorrow."

GÉRARD XURIGUERA — PARIS, JUNE 2016

Black diamond on a 52-faceted relief, relief by Fabrice Ainaut, acrylic on PVC and PVC rods, central black kinetic diamond on white facets, 2023
White diamond on 52-faceted reliefs, relief by Fabrice Ainaut, acrylic on PVC and PVC rods, central white kinetic diamond on black and white facets, 2023

"Through complex volumes […] he finds new paths that give shadow and light the space they need to engage in their confrontations, in a dialectic that remains forever unpredictable."

FERNAND H. FOURNIER — PARIS, APRIL 2013

Black and white programmed lumino-kinetic object, sculpture by Fabrice Ainaut, acrylic on PVC, LEDs, motors and microcontrollers, vertical luminous rhombus with bluish undulations on a black background, 2014

"Ainaut's work, made in the lineage of Madí principles, has a great harmonious originality and is carried out with extreme rigour. May Ainaut continue his research and make his art the purpose of his life."

CARMELO ARDEN QUIN — PARIS, JANUARY 2010

SOLO EXHIBITIONS

  • 2020 — « Au rythme des contrastes », Château des Tourelles, France

  • ​​​​2019 — Viktoria's Gallery, Slovakia

 

  • 2018 — Galerie Závodný, Czech Republic

 

  • 2018  "Été concret", Institut français de Bratislava, Slovakia

 

  • 2018 — Galerie La Ligne, Zurich, Switzerland

 

  • 2016 — Galerie 55 Bellechasse, Paris

  • 2010 —  Galerie Akié Arichi, Paris

GROUP EXHIBITIONS — SELECTION

  • 2026 — « Spectral », Metahaus, Paris

  • ​​​​2026 — « 50th anniversary of the Musée en Herbe », Paris

 

  • 2025 — « Hidden Memories », Galerie Závodný, Czech Republic

 

  • 2022 — Edition Fanal, « Transparence Volume », Basel, Switzerland

 

  • 2022 — Nuit blanche, Paris, France

 

  • 2020 —  Musée Lapidarium , « Cinétique II », Novigrad, Croatia

// ART FAIRS & SALONS

  • 2025 — One Masters Monaco, Monte-Carlo

  • 2017-2019 — Art Basel, Atelier-Éditions Fanal

  • 2017-2019 — Art Paris Art Fair, Galerie La Ligne

  • Since 2011 — Salon des Réalités Nouvelles

  • 2011-2017 — Salon Comparaisons, Grand Palais

// PUBLIC COLLECTIONS & AWARDS

  • The Dentsu Aegis Network Collection, Toronto

  • Mobil Madi Muzeum, Budapest

  • Frank Popper Contemporary Art Centre

  • Satoru Sato Museum, Japan

  •  2019, Taylor Foundation Prize, Réalités Nouvelles

DOCUMENTARY PORTRAIT

« Fabrice Ainaut, Objet lumino-cinétique programmé »,

a 12-minute film by Gilles Thomat.

 

  • 2023             9th MIFAC, Angoulême, France

  • 2023              Le champ des possibles — Algiers Cinematheque

  • 2023             Art Montpellier, France

  • 2022             Institut catholique de Toulouse, France

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© Fabrice Ainaut — All rights reserved

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